Alone, Together

Alone, Together. Berlin, Germany. December 2018.

Ganzfeld “Aural” by James Turrell.

In my in opinion, the most fascinating part of experiencing Turrell’s works is that you can be surrounded by people, but still feel completely alone with it. Often, his pieces are about the solo, mental experience. Ganzfeld “Aural” is a prime example. While there may be several individuals in this same shared space, the perceptual experience is completely individual and internal.

In Ganzfeld, a visitor walks into an empty room and is bathed in light. When you first step into the piece and approach the central point, the combination of the light and the decline is completely disorienting; it is intended to be this way. You feel as though you are walking through a thick colorful fog before your eyes can adjust. As the lights slowly change, so does your depth perception; you think you are walking towards the end of a tunnel, when in fact you are walking precariously towards a 2 meter drop.

Ganzfeld is actually a German word that describes the phenomenon of “perceptual deprivation” and this is what this work challenges you with. Once you are immersed, you cannot trust your eyes or your senses, but you are forced to grapple with it alone.

Alone, Together. Berlin, Germany. December 2018.

Eye Spy

JR at Maison Europeenne de la Photographie (MEP). Paris, France.

In November, I was fortunate enough to be in Paris when artist JR did a “takeover” of the city, installing his large scale photographs in various metro stations across the city. The campaign was to promote the artist’s first major show in Paris aptly named “MOMENTUM”.

While I was unable to go to the exhibit, the MEP smartly put some of his work on the exterior of their building as well. MOMENTUM included some of JR’s early photographs and showcased several new installations. JR’s work is politically charged and often controversial, but that’s why I enjoy it. He has a point of view and is unafraid to double down on it. The past few years, he has focused his work on immigration and victims of wars and conflicts. The most talked about piece inside the exhibit was his recent mural about guns in America that landed on the cover of TIME’s November 5th cover. For the mural, JR filmed and photographed 245 people from across the gun debate spectrum: hunters, activists, teachers, parents, police officers, and children.

This particular photo here used on the exterior of MEP is from his series: Portrait of a Generation, an illegal pasting exhibition of portraits all captured with a 28 mm lens.

Let Her Glow

Let Her Glow. Beacon, New York. November 2017.

Girl meets Flavin. Girl is entranced. Dia:Beacon is the place to go to be completely immersed in contemporary art. The museum is located outside of NYC, along the Hudson River, in Beacon, New York. 

Dia Art Foundation helped spearhead the movement of converting former warehouses and industrial buildings into museums and art spaces. With the help of some artists and architects, including Robert Irwin, Dia:Beacon was converted from a 31 acre Nabisco company printing plant into the immersive art space it is today. 

This girl was sitting in her stroller until her family pulled up in front of this Flavin. Once up on her legs, she strutted immediately towards the lights. I was lucky to snap this shot right before her grandmother came into the frame to prevent her from touching the installation. I get it girl, I want to touch the Flavin too.