Huashan 1914

Huashan 1914. Taipei, Taiwan. August 2017.

Huashan 1914 Creative Park is an artistic enclave in the heart of Taipei. This complex was restored and reopened as a multi-purpose creative space in 2005. The buildings were originally part of a large wine factory opened in 1914 to produce sake, ginseng wine, and breed moth orchids. After switching hands several times, the Taiwan Council for Cultural Affairs took control of the complex and started a complete reconstruction of it. The Creative Park is now home to traveling art exhibitions, painters, writers, wood carvers, theatre groups, directors, as well as an event space. When I visited, the park was hosting seperate exhibitions on Gaudi's architecture, Paul Smith's studio, and an exhibition of Nathan Sawaya's work, oh, and numerous photo shoots, of course.

Dancheong

Dancheong. Seoul, Korea. August 2017.  

Gyeongbokgung Palace is the largest of the "Five Grand Palaces" in Seoul. Construction of Gyeongbokgung began in 1395 and the palace became the main royal residence during the Joseon Dynasty for roughly three hundred years before a fire swept through and demolished the grounds. The palace has been through two major restorations, each one expertly restoring the palace closely to its original design and color. 

This is the interior of Geunjeongjeon, the throne hall, where the King would host formal audiences and deliver official speeches and announcements. The size is impressive, however I was taken more with the "dancheong," the traditional decorative coloring used on the wood. The colors of "dancheong" are blue, white, red, yellow, and black and the various combinations of the colors also convey social status. The pattern pictured here in the throne room was used almost exclusively for royal residences or holy places. While I have seen palaces in Asia before, many of them are a deep red with gold decor and dark wood. The "dancheong" style is truly unique and a nice departure from what I imagined traditional Korean architecture and interior would look like. 

Blue Over You

Blue Over You. Houston, U.S.A. August 2017.

I had a long layover in Houston, Texas this afternoon so I decided to leave the airport and head over to the Museum of Fine Arts Houston to spend a couple hours with their collection. I was not familiar with the museum in advance of visiting so it was a pleasant surprise to see a James Turrell installation*. It is always hard to capture a Turrell correctly through the camera because it is such an immersive light experience, however this guard's silhouette against the rich, blue backdrop of light provided a poignant moment that was worth capturing.

*Turrell, "The Light Inside" (2000)

Secret Library

Secret Library. Milan, Italy. March 2016.

Fleeting Thoughts

Fleeting Thoughts. Strasbourg, France. December 2016.

Beam Me Up

Beam Me Up. Milan, Italy. April 2016.

Similiar to my prior post about the Citizen Watch Fuori Salone installation, Sou Fujimoto's design for COS during Salone del Mobile was a favorite of mine well. Fujimoto designed a "Forest of Light" for the brand using spotlights and mirrors. The space they used for the collaboration was an old theatre, so it was very fitting that we were surrounded in darkness and spotlights were  the only light sources. Fujimoto's lights formed cone beams that pierced through the darkness and they turned on and off in response to the movements of visitors, a very new age forest. I particularly enjoyed this installation because Fujimoto's minimalist approach of only using light also reflected the clean lines and simplicity of COS itself. 

Like Diamonds in the Sky

Like Diamonds in the Sky. Milan, Italy. April 2016.

My favorite time of the year in Milan is during Milan Design Week commonly referred to as "Salone del Mobile." It is the largest international design/furniture fair and draws and an incredible amount of attention and talent to the city. It happens every April, perfectly timed for when the weather finally turns. While there is plenty to see at the actual fairground where Salone del Mobile is held, the best part is that exhibitions permeate throughout the entire city. Designers and brands show outside of the fairground and those installations are known as Fuorisalone (outside Salone).

For Fuori Salone 2016, Citizen created this amazing installation, "time is TIME," in Superstudio Più. Under the creative direction of Tsuyoshi Tane, Citizen created a galaxy where the silver stars are 120,000 main plates suspended in the air with wire. It was 800 square feet of breathtaking bling. The idea behind this design was that visitors would witness time standing still where. This was one of my favorite installations, it was inspired and beautiful both when inspected closely or taken in in its entirety. The experience stuck with me long after we visited and obviously still does.

Cool House

Cool House. Milan, Italy. May 2015.  

One is the Loneliest Number. Milan, Italy. May 2015.

Rem Koolhaas was the lead architect behind Fondazione Prada in Milan, and it is incredibly fitting because it is indeed one very "Cool House." Koolhaas and his firm OMA were tasked with transforming this former distillery south of city center into a mega complex for the Prada family's extensive collection. OMA is a favorite of Prada; they collaborate on catwalks and shopfronts for the brand. In my opinion, Fondazione Prada is the best testament to their collaborative relationship. 

OMA converted seven standing buildings and created three news ones that matched the industrial style of the distillery. The Fondazione Prada was established in the 90s to be a cultural hub of cinema and art and the design of the complex honors that. It is minimal, spacious, and sleek, allowing the art and exhibitions to take center stage. However, with this being said, one of the most beautiful aspects of the foundation is part of the building itself; its 24-karat gold leaf covered tower. You can see a glimpse of the gold base in the top photo. 

Fondazione Prada has brought new life to a largely ignored neighborhood of Milan and I look forward to the day I get to visit it again and see the changes it brings to the surrounding area. 

Stop Wars You Will

Stop Wars You Will. Miami, Florida, U.S.A. December 2016.

Over the weekend I traveled to Miami to attend Art Basel and its surrounding art shows for a dose of creative inspiration. The city is always colorful, alive, edgy, and during Art Basel it is even more so. I took this photo in the Wynwood District, Miami's artistic beating heart. Wynwood is renowned for Wynwood Walls, however the entire neighborhood is an urban graffiti park. 

Artists from around the world have left their mark in Wynwood including Brazilian street artist Eduardo Kobra who painted this mural during Art Basel last year. Kobra is known for his colorful, kaleidoscope wall murals. If you were in New York last year, you may have caught his large tribute to Alfred Eisenstaedt's "V-J Day, The Kiss" off of 25th St. and 10th Ave near the Highline (it has since been painted over). Similar to "The Kiss" mural, this one also addresses the topic of war, this time featuring the all-knowing, powerful Jedi Yoda. Murals in Wynwood get painted over so if you are in Miami, make it a point to catch this one and Kobra's entire wrap around this building while you can. 

Wes Anderson's Vision

Headless Host. Milan, Italy. May 2015.

Zissou Zissou. Milan, Italy. January 2016.

Stepping into Bar Luce at the Fondazione Prada in Milan is stepping foot into the mind of Wes Anderson. Bar Luce could easily be a set from one of his films, a pastel palette, color-blocking, retro details, and symmetry, signatures of his whimsical films. The café, a throwback to Milanese cafés of the 50s and 60s, is just one of several collaborations between Prada and Wes Anderson. Anderson also directed a series of short films worth watching for the designer, Castello Cavalcanti and PRADA Candy series. Together they are a perfect collaboration and no visit to Milan is complete without experiencing it. 

Absof'inglutely

Absof'inglutely. London, England. March 2016. 

Because "earth without art is just 'eh.'"

The Red Sea

Red Sea. Venice, Italy. September 2015. 

This was an installation created by Japanese artist Chiharu Shiota titled "The Key in Hand" for the Venice Art Biennale in 2015. Housed inside the Japanese Pavilion in the Giardini, it was beautiful, immersive, glowing. When you entered the exhibit, you were surrounded by a web of red yarn with individual keys hanging on each string. You felt as though you were "swimming" in a red sea and every surface inside reflected an electric crimson glow. This boat was a central focal point, however just one piece in the multi-roomed pavilion all interconnected by the yarn and key adorned cielings. I would do a poor job in summarizing Shiota's description of what the boat, red string, keys, and other items signify in the exhibit so I leave her description here for you to explore.